In the mid-nineteen-seventies, the West German Army, the Bundeswehr, built a vast underground bunker near the town of Traben-Trarbach. It was five stories deep, had nearly sixty thousand square feet of floor space, and was designed to withstand a nuclear attack. Eighty days’ worth of survival provisions were stored inside, including an emergency power supply and more than a million litres of drinking water. You entered the facility through an air lock; the interior temperature was set to seventy degrees. The walls were concrete, thirty-one inches thick, and some were lined with copper. The rooms were soundproof and transmission-proof. Between 1978 and 2012, the bunker was the headquarters of the Bundeswehr’s meteorological division, and at any one time about three hundred and fifty civilian contractors worked there; most of them focussed on predicting and plotting weather patterns wherever the German military was deployed. New employees often got lost. On each level, the walls were painted a different color, to help people orient themselves—but the bunker was symmetrical, so one side looked much like another. There was no natural light. In winter, workers on day shifts arrived in the dark and left in the dark.
In 2012, the Bundeswehr moved its meteorological division to another site. Germany’s federal real-estate agency, known as BImA, listed the bunker for three hundred and fifty thousand euros. The low price reflected the unusual nature of the property and the expense of maintaining it. The bunker sat beneath a plot of some thirty acres, in a forested area on a hill outside Traben-Trarbach, which is an hour east of the Belgian border. The perimeter of the property was marked by ramparts and a fence, and aboveground the site contained several large structures, including a gatehouse, an office building, a tall aerial with satellite dishes, a helipad, and barracks constructed by the Nazis in 1933. The Bundeswehr had employed twelve men, who worked in shifts around the clock, solely to insure that the bunker was properly ventilated and did not flood. The German government hoped that a technology business, or perhaps a hotel, might want the premises, but there were few prospective buyers.
The relocation of the Bundeswehr division was a blow to the local economy. Traben-Trarbach is a fairy-tale town that straddles a bend in the wide, teal-blue Mosel River. Traben is on the north bank, Trarbach on the south. The town, which is overlooked by a ruined fourteenth-century castle, is full of aesthetic quirks and highly caloric delicacies. Only about six thousand people live there, but thousands of tourists arrive every summer to hike, drink the local Riesling, and take river cruises. At the turn of the twentieth century, Traben-Trarbach was a wine-trading hub second only to Bordeaux, and also a center of the Jugendstil movement, the German iteration of Art Nouveau; many of its buildings reflect the wealth and the brio of that period. Near the hotel where I stayed in December, a Jugendstil relief of Rapunzel adorned the side of an apartment building. Her gilded hair fell in wavy lines from the fourth floor to the second.
The mayor of Traben-Trarbach, Patrice-Christian-Roger Langer, a garrulous man with a fine gray beard, worked at the bunker complex for nearly thirty years, and for eleven of them he operated its mainframe computer. He enjoyed his time working underground. But, he told me, “not everybody could deal with working in a bunker,” adding, “It’s a mental thing . . . if you don’t have a window.”
In 2012, a foundation controlled by a fifty-three-year-old Dutchman named Herman-Johan Xennt proposed to buy the bunker complex. Xennt travelled to Traben-Trarbach to explain his plans to a closed session of the town council. He was a striking man, with a cascade of shoulder-length gray-blond hair, and wore a dark suit, which highlighted the pallor of his face. Xennt told the council that he intended to set up a Web-hosting business at the bunker complex, and promised to create as many as a hundred jobs for local people, but he was vague when pressed for details.
Several council members were concerned about Xennt’s credentials. Although he said that he had been in the Web-hosting business for years, he did not name any blue-chip clients. But there were no other viable buyers, and so, in June, 2013, the property was sold to Xennt’s foundation. One of the council members, Heide Pönnighaus, later told a newspaper, “I didn’t have the best feeling about it.”
Xennt was born Herman-Johan Verwoert-Derksen, in 1959. He grew up in Arnhem, a small city in the eastern Netherlands which had been the site of intense fighting during the Second World War. As a teen-ager, he became interested in historical buildings, and several times he visited an old Nazi bunker on the edge of town. He also fell in love with science fiction, and began calling himself Xennt (pronounced “Zent”). When “Star Wars” was released, in 1977, he was enraptured by it. He decorated his bedroom to look like a spaceship, with blacked-out windows, jury-rigged electric doors, and speakers playing moody synthesizer music. In one corner of the room was an Apple II personal computer.
By his early twenties, he had officially changed his surname. Nothing irritated him more than being called by his given name, and he preferred to be called by his new surname alone. Even his parents knew him simply as Xennt. After graduating from college, in the early eighties, he started several personal-computer businesses in the Netherlands. A poster for a store that he owned, PC International, shows him with long brown hair, bushy eyebrows, and an unconvincing mustache. He is wearing a T-shirt with “Xennt” printed on it, and is standing behind a bulky monitor emblazoned with the store’s logo. During this period, he and a partner, a woman of Dutch Antillean heritage named Angelique, had two sons. They named them Xyonn and Yennoah: X and Y. Xennt and Angelique soon separated, and she retained primary custody of the boys. (Xennt also has a son who was born in 2019, to a different mother.)
In 1995, when Xennt was thirty-five, he bought a twenty-thousand-square-foot former NATO bunker in the Dutch town of Goes, near the North Sea coast. The bunker, built forty-one years earlier, had ceased being used for military purposes in 1994. Xennt settled in with some old friends, including Paul Scheepers, a computer technician with a bald pate, long curly hair, and a sweet laugh. Scheepers is now fifty-eight years old, and works in I.T. support for a Dutch badminton foundation, but he still introduces himself by the online sobriquet that he adopted in the eighties: Cytrax. “We were looking for some space to make a kind of futuristic environment,” Scheepers told me recently. “And what do you do when you have a bunker and you have a computer company? You put computers in the bunker.”
At the Goes property, Xennt started a new business, called CyberBunker, which offered “bulletproof hosting” to Web sites. All Web sites must be physically hosted somewhere, whether on a personal computer or a server; hosting is now a multibillion-dollar industry dominated by such companies as Amazon Web Services and GoDaddy. CyberBunker offered, for a steep price, a highly secure hosting environment for sites containing sensitive, or illicit, material. In the late nineties, most of CyberBunker’s customers ran pornographic sites. Xennt had a liberal outlook, but there were lines he would not cross. According to CyberBunker’s Web site, its servers would host all content except “child pornography and anything related to terrorism.”
I spoke to a former pornography distributor who used Xennt’s servers during this period. (He did not want me to publish his name, as he now works in finance.) He told me that his business brought in about a million euros a year, but that Xennt himself had relatively little money, because he had imprudently bought hundreds of servers—an investment in infrastructure that took several years to pay off.